Nickel And Dimed Play Pdf

nickel and dimed play pdf

File Name: nickel and dimed play .zip
Size: 1964Kb
Published: 13.12.2020

Women and Gaming pp Cite as. M any people think that games are in competition with books.

Search this site. Randy Taraborrelli.

Access options available:. Theatre Journal Intiman Theatre, Seattle, Washington.

Nickel and Dimed PDF Summary

Access options available:. Theatre Journal Intiman Theatre, Seattle, Washington. Upon hearing an interview with Ehrenreich on National Public Radio, artistic director Bartlett Sher of Seattle's Intiman Theatre secured the rights to create and produce a dramatic version of her odyssey, and he hired Joan Holden, principal playwright of the San Francisco Mime Troupe for thirty years, to write the script. Nickel and Dimed , the Intiman's first commissioned world premiere since , opened for a month-long run in July ; before the run had concluded, the company received an invitation to take the production to Los Angeles, where it opened the season at the Mark Taper Forum.

While Sher envisioned an opportunity to focus his audience's attention on working-class community members whose labors, in Ehrenreich's conclusion, subsidize the lives of the middle and upper classes, he was also attracted by the proven dramatic device embedded in the story: a character, disguised as someone else, embarks on an adventure in strange territory and ends up learning more about herself and about society. In her book, Ehrenreich reports on grueling seven-day weeks in which she and her co-workers toil, underpaid and undervalued, at demanding and exhausting jobs, and exposes the uncertainty that comes with insufficient training, the indignity of management surveillance and the danger posed by chemical cleaners and unsafe working conditions.

But she peppers it with a wit that Holden mixes with her own broad comic style to create a dramatic work that utilizes both satire and slapstick to make its points. To shape the book's episodic structure into a more focused narrative, Holden combines characters, embellishes details and invents [End Page ] an epilogue in which workers report on how they have fared since Ehrenreich returned to her middle-class life. The play uses selected bits of research from the book as characters quote relevant statistics in frequent asides, and Ehrenreich's careful reporting of rent prices and hourly wages become numeric projections on the walls flanking the stage.

The recitation and projection of numbers that don't add up to a living wage reveal the absurdity of the worker's quest to make ends meet, as Nickel and Dimed is transformed into a performance text whose irony delivers an eye-opening dramatic punch.

The script's confrontational style provokes giggling discomfort in the audience during a key exchange in the second act when cast member Kristin Flanders halts the action and steps out of character to challenge actors and spectators about their own reliance on cleaning services; the sequence proposes actor and audience culpability while also suggesting that actors may see both sides, for some of them have had to supplement financially uncertain acting careers with low- paying service jobs.

To emphasize the fictionalizing that has occurred in the process of transforming the work from journalism to drama, the author becomes just "Barbara," and Sharon Lockwood, a core member of the San Francisco Mime Troupe for many years, skillfully portrays her as earnest and exasperated. The supporting cast of Sanchez and four other ensemble players, Kristin Flanders, Cristine McMurdo-Wallis, Cynthia Jones and Jason Cottle move deftly from one role to another as they represent workers and management, their transformations facilitated by efficient onstage costume changes.

Rose Pederson's designs include appropriately styleless service uniforms accessorized with hairnets and rubber gloves, while John Arnone's sets use wood paneling, nondescript office furniture and florescent lighting to provide flexibility for the frequent location changes and Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus. This website uses cookies to ensure you get the best experience on our website.

Without cookies your experience may not be seamless. Institutional Login. LOG IN. Theatre Journal. In lieu of an abstract, here is a brief excerpt of the content: Theatre Journal Additional Information. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Viewpointing through Ethical Concerns: Directing Joan Holden's "Nickel and Dimed"

To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up.

Created by the original team behind SparkNotes, LitCharts are the world's best literature guides. Seeing Things? Nickel and Dimed. Plot Summary. All Characters Barbara Ehrenreich. All Symbols Drug Tests.

Start growing! Boost your life and career with the best book summaries. Wage discrepancy and inequality are two subjects we rarely talk about — even though they are a serious issue in the United States. People who want to find out more about the way they are perpetuated should definitely read this book. A prominent figure in the Democratic Socialists of America for most of her life, she has written numerous essays, columns and more than 20 books. You know — the guys who can become a gang leader for a day or go undercover in North Korea just so that they can write a truthful book for us.

Actors will be given sides from the script to read at callbacks. DIRECTOR'S COMMENT: The play takes place in the late 's and the characters are based on.

Theatre Journal

Nickel and Dimed opens with Barbara Ehrenreich , a writer and journalist from Key West, Florida, at a lunch with her editor discussing pitches and article ideas. She speculates what it would be like to actually try to live on the minimum wage, and says that some enterprising journalist should try to do it—not thinking that the editor will say it should be her. Barbara grew up in a relatively comfortable environment, but all the previous generations of her family were working-class miners, and poverty has been close enough to her that she clings gratefully to her comfortable, flexible writing job. She recognizes that her task will hardly approximate the real-life experience of a poor person, since she is healthy, has no children in tow, and is only doing this experiment temporarily.

The PlayFinder™

Reservations required in advance.

Viewpointing through Ethical Concerns: Directing Joan Holden's "Nickel and Dimed"

Written from her perspective as an undercover journalist , it sets out to investigate the impact of the welfare reform act on the working poor in the United States. The events related in the book took place between spring and summer The book was first published in by Metropolitan Books.

Сьюзан сделала вид, что не поняла. - Это похоже на цуккини, - пояснил он, - только корт поменьше. Она ткнула его локтем в бок. Левый крайний Джорджтауна, подавая угловой, отправил мяч в аут, и трибуны негодующе загудели.

Nickel and Dimed

Внезапно в гимнастическом зале, превращенном в больничную палату, повисла тишина. Старик внимательно разглядывал подозрительного посетителя. Беккер перешел чуть ли не на шепот: - Я здесь, чтобы узнать, не нужно ли вам чего-нибудь.  - Скажем, принести пару таблеток валиума. Наконец канадец опомнился.

Но это было не совсем. Сьюзан переживала из-за того, что ей пришлось солгать любимому человеку, но у нее не было другого выхода. Все, что она сказала, было правдой еще несколько лет назад, но с тех пор положение в АН Б изменилось.

ТРАНСТЕКСТ заклинило. Фонтейн повернулся к окну. - Господи Исусе.

 Мисс Флетчер, - потребовал Фонтейн, - объяснитесь.

Сьюзан, не слушая его, повернулась к Соши. - Сколько там этих сироток? - спросила. Соши развела руками. Она села за терминал Джаббы и перепечатала все группы, а закончив, подбежала к Сьюзан.

Она понимала, что не может допустить, чтобы Хейл его увидел, - последует слишком много вопросов. - Я хочу сохранить это в тайне, - сказала. Но Хейл продолжал приближаться. Когда он был уже почти рядом, Сьюзан поняла, что должна действовать. Хейл находился всего в метре от нее, когда она встала и преградила ему дорогу.

Однако Стратмор ничего не объяснил, а Беккер не решился спросить. АНБ, - подумал.  - НБ - это, конечно, не болтай. Вот такое агентство. На другой стороне авениды Изабеллы он сразу же увидел клинику с изображенным на крыше обычным красным крестом на белом поле.